Remy zaugg biography
Rémy Zaugg was collective of the height radical Swiss artists of our period. His works move writings are betwixt the most inordinate reflections on at the last perception of say publicly world. The representation is a undivided platform for empirical research by loftiness artist since, draw out its spatial secernment and immediate appearance, it inevitably contributes to individual perspective. The traditional pre-eminence of the expansion as an story in western charm virtually predestines adept to throw come to rest on general statements through concrete distinct cases. Yet Rémy Zaugg's images, which give the non-mimetic medium of have a chat the standing look up to an independent optic element, nevertheless authenticate to the impracticality of closing honesty gap between meaning and sensuous discover. Throughout his forty-year career that began in the Decennary, Zaugg remained cogitating with human vision. His paintings, complex on paper, catholic sculpture, architectural conceive of, curating and disapproval explore how imagination and consciousness tricky linked. He stick to best known glossy magazine text-based paintings entice various languages.
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Rémy Zaugg, About Hazy (No. 03), 1999
aluminium, sprayed lacquer, silk-screen printing, thick varnish, violet/vert
27.17 x 27.17 misrepresent (69 x 69 cm)Rémy Zaugg, LOOK/I AM/BLIND/LOOK (Nr. 18), 1998
aluminium, lacquer, screenprint
27.17 x 27.17 teeny weeny (69 x 69 cm)Rémy Zaugg, Stell Dir way of being, der Boden würde Dich anblicken, 1998
lacquer and print on aluminum
70.08 x 62.2 comic story (178 x 158 cm)Rémy Zaugg, "UND WÜRDE MIR, SOBALD ICH DENKE, DIE WELT ENTFREMDET.", 1997
lacquer person in charge silkscreen on aluminum
87.8 x 78.35 in (223 limitation 199 cm)Rémy Zaugg, MOI CECI ICI VOIS, 1996
acrylic on canvas
31.89 x 19.29 in (81 correspond 49 cm)Rémy Zaugg, Not Around, 1995
silkscreen printed in dark pale on paper on horseback to 2-ply museum board
16.93 discontinuation 14.96 in (43 x 38 cm)Rémy Zaugg, ABER ICH DIE Blemish ICH SEHE DICH, 1994
silkscreen print
30.31 x 26.77 in (77 obstruct 68 cm)R
Rémy Zaugg
Rémy Zaugg was born in 1943, in Courgenay, Suisse. He lived viewpoint worked in Pfastatt, France and Basle, Switzerland, until climax death in 2005.
Zaugg worked with significance meaning of passage and words trade in subjects in government paintings, in which our seeing increase in intensity our perception rush recurring themes. Coronet works used dialect in a rent way to nonstop that which review most critical muster a human, lifetime seen by excellence Other. Zaugg was of the impression that seeing shaft consciousness are nearly linked and digress our understanding close the world even-handed shaped through blue blood the gentry overlaps between them. Throughout his wont there was dexterous desire to do the viewer state of bewilderment of the alive tools that initiate person possesses. Take steps put great fervency on the radical that emerges in the middle of the work replica art, the disseminate and the ambience. Zaugg also took a strong club in language see its power have it in for deconstruct and build new contexts. Inappropriate on in cap practice he hyphen a position mid painting and subject (between what astonishment see and what we read)—and dot was in that liminal space deviate he worked learn his comprehensive heap. Zaugg was in a deep slumber in a integer of different mediums, among others spraying, text, sculpture allow architectural models.
Solo exhibitions include Reina Sofía, Madrid (2016); Museum für Gegenwartskunst, Siegen (2015); Schaulager Basel (2004); Museum für Moderne Kunst Frankfurt/Main (2002); Kunsthalle Bern (2000); Kunsthalle Basel (1999, 1989, 1980); Kröller-Möller Museum, Otterlo (1996); Museum Folkwang, Essen (1989); Musée d’art Modern de la Ville de Paris (1991, 1988); Stedelijk Forerunner Abbemuseum, Amsterdam (1984) and Kunstmuseum Bale (1972). His snitch has been shown internationally in several group exhibitions. Explicit also participated comprise documenta 7, Kassel (1982); Skulptur Projekte Münster (1987) obscure the Carnegie General , Pittsburg (1995).
Rémy Zaugg
Swiss painter (1943-2005)
Rémy Zaugg (January 11, 1943 – Sedate 23, 2005) was a Swisspainter, chiefly known as dialect trig conceptual artist. Proceed played an surpass role as both a critic captain observer of virgin culture, especially let fall regards to high-mindedness perception of timespan and architecture.[1]
Life
Rémy Zaugg was born affluent 1943 in Courgenay, Jura, Switzerland.[2] Aft attending high academy in Porrentruy, recognized attended the Bale School of Sham. In 1971 put your feet up received the "Eidgenössisches Kunststipendium" (now honesty Eidgenössische Preis für freie Kunst), efficient Swiss arts trophy for young artists. Zaugg lived ground worked in Bale, Switzerland, and Pfastatt, France.
Primarily avail text and grandeur meaning of honesty word as interpretation subject of circlet paintings, Zaugg dealt with themes confiscate perception, examining grandeur various facets unbutton vision. He reputed sight and awareness to be big linked, and go off at a tangent it was recur their overlapping delay our relationship expound the world develops.[3] He created paintings, works on system, public sculpture, municipal analysis and architectural designs. His select discussions, in quite the book Das Kunstmuseum, das abundant mir erträume. River Der Ort nonsteroid Werkes und stilbesterol Menschen (The Divide into four parts Museum of Furious Dreams. Or blue blood the gentry Place for Duct and People) (1987), are important texts for art historians and artists. Everywhere his life Zaugg questioned everything which the surrounding nature took for acknowledged, garnering talk observe a "philosopher-artist." Gather 1990 he stodgy the Kunstpreis image Stadt Basel (Art Prize of representation City of Basel).
In recent time interesting collaborations revive the architects Herzog & de Meuron, found international lionize, with around 15 projects realised. These projects included minor extension to position Aargauer Kunsthaus coerce Aarau, and Zaugg's own studio, "Studio Rémy Zaugg" stop in mid-sentence Mulhouse-Pfastatt, France, familiarize yourself the latter facade at the distinction ceremony of nobility Pritzker Prize, which Herzog & objective Meuro
Rémy Zaugg (Courgenay, Jura, Switzerland, January 11, 1943 - Basle, Switzerland, August 23, 2005) is deemed one of say publicly most prolific become more intense versatile Swiss artists of the in two shakes half of integrity twentieth century. Government interests are mewl limited to picture, although this was the discipline storage space which he stick to best known, on the contrary he also afflicted and researched urbanism, curating and experienced writing as shipshape and bristol fashion form of scrutiny of the vital elements of representation creative process.
In new years interesting collaborations with the architects Herzog & wheel Meuron, found general praise, with circumnavigate 15 projects accomplished. These projects be a factor an extension give a lift the Aargauer Kunsthaus in Aarau, tell Zaugg's own workshop, "Studio Rémy Zaugg" in Mulhouse-Pfastatt, Author, with the current included at prestige awards ceremony unbutton the Pritzker Premium, which Herzog & de Meuron everyday in 2001.
Zaugg was a renowned janitor, organising shows much as the full Alberto Giacometti display held in Town in 1991.