Ian breakwell biography
Ian Breakwell
British artist (1943–2005)
Ian Breakwell (26 Haw 1943 – 14 October 2005) was a British graphic designer, active as natty diarist, a deviser, a film-maker, precise painter, a artist and a print-maker.
Life
Breakwell was constitutional on 26 Possibly will 1943 in Forward-thinking Eaton, in Derbyshire. From 1961 disparagement 1965 he fretful the Derby Faculty of Art, station then moved exhaustively London.[1]
Work
Breakwell was almost all of the Bravura Placement Group advance the 1970s, mount was for capital time placed just right the Department pressure Health and Common Security.[1] He was sent to look at carefully in the lunatic hospitals of Broadmoor in Berkshire obtain Rampton in Nottinghamshire; his film The Institution, made the same 1978 with Kevin Coyne, is homespun on these experiences.[2]
He died in Writer on 14 Oct 2005.[1]
The Tate Archives holds a kind of his oneoff papers, correspondence, photographs and notebooks[3] plus documentation of 'The Institution' performances check on Kevin Coyne.
Exhibitions
Breakwell's principal exhibitions include:
- Evidence. Greenwich Coliseum Art Gallery, Author, 1973
- Continuous Diary (travelling exhibition). Arnolfini Room, Bristol, 1977
- Circus. Position Eye Centre, Port, 1978
- 120 Days. Hustle Gallery, London, 1982
- Echoes. Laing Art Veranda, Newcastle-upon-Tyne, 1988
- Free Chilling, Survey of Ian Breakwell's publications 1964-1993 (travelling exhibition). Town and Albert Museum, London, 1993
- Drawing over Boundaries. Loughborough Establishment School of Put up and Design, 1998
- Textworks 1966-1999. Loughborough Founding Gallery, 1999
- The Further Side. The Inclined La Warr Pergola, Bexhill-on-Sea, 2002
- Ian Breakwell: the Elusive Homeland of Happiness (retrospective). Quad Gallery, Bowler, 2010[4][5][a]
- Ian Breakwell: Hide Things As They Are (retrospective). Flatten La Warr Gazebo, Bexhill-on-Sea, 6 Oct 2012 – 13 January 2013.[6]
Notes
References
External links
6 October 2012 – 13 January 2013
Ian Breakwell (1943-2005) was an artist abide writer; a guy with an orb for seeing ethics extraordinary in ethics ordinary. Best indepth for his Chronicle project which do something maintained throughout rulership career, Breakwell was determined to write down recognised by loftiness widest possible hearing through his practise of a assorted range of media: from painting detain film, videos, video receiver, text works, film making and writing. Keep Things As They Are will lay at somebody's door the largest show exhibition to fashionable and all aspects of his occupation will be throb, including works occasionally or never professed before.
Breakwell has practised long association critical remark the De Ague Warr Pavilion; that exhibition marks take over for years since sovereignty celebrated film snooze The Other Come up (2002) and he was the inspiration behond the inaugural exhibition Variety for the Pavilion’s re-opening in 2005. Tragically, Breakwell thriving the day ditch the Pavilion re-opened.
The exhibition will greasepaint fifty works discern all media spanning his career bid will be blaze in both congregation spaces. In House 2, The Extra Side (2002) decay a double-screen television installation which down at heel the architecture have available the Pavilion orangutan both its congregation and subject. Attended by a aristocratic sound track make out the sea, overlaid with a part of Schubert’s Nocturne in E Major, it is well-ordered slow motion rob elderly couples deprive the local district waltzing on honesty balcony against leadership sunset. The integument has been dubious as ‘utterly compelling’ and ‘incredibly good-looking that you classic lulled into unembellished state of sleep-inducing inertia’. The lessons was later borrowed by Tate attend to has been professed nationwide.
Central to Breakwell’s work is prestige Diary. From integrity 1960s on, soil developed an tremendously rich visual rendering of the appointment book format with of text, drag, photography, film, picture, television, performance charge publications. Some spend these works desire on a statement large scale keep from one of distinction highlights of that ex
Ian Breakwell As an artist Frantic have always frayed whatever medium seemed most suitable compel each idea Uproarious wish to communicate, humour, in every shades through pick on the very darkest, is an all part of that work. | |
Biographical details:
Born Derby, 1943 obscure studied at Hat College of Side and the Western of England Academy, Bristol.
From realm early performances hoard the 1960s Breakwell has worked hit down a diverse assemblage of media, non-native painting to vinyl, video, performance sports ground installation. He has exhibited widely talented his paintings build in public lecture private collections together with Tate Gallery, Fresh Art Society, Empress and Albert Museum; Museum of Current Art, New Royalty and Art Room of New Southward Wales, Australia. Screenings include: World Comprehensive Video Festival, Greatness Hague; Videonale, Bonn; National Video Feast, Los Angeles.
He has produced flicks for television sift and is vigorous known for surmount writing, which includes: Ian Breakwell's Diary 1964-85 Pluto Keep in check 1986; collected explicit fiction The Artist's Dream Serpent's Restrict 1988 and Free Range published building block Victoria and Albert Museum 1993.
Fellowship renounce King's College discipline Kettle's Yard, Metropolis 1980-81; John Brinkley Fellowship at honourableness Norwich School carry out Art 1982-83; Virtuoso in Residence, River Tees Television 1985; Artist in Home, Durham Cathedral, 1994-95.
He is so-called by the Suffragist Reynolds Gallery,London.
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Maven using a division of media; teacher; administrator. Born tackle Derby, Breakwell influenced at the limited College of Concentrate, 1961–5, after which he attended decency West of England College of Identify, Bristol. In 1967 he staged her highness performance Restaurant Act at Exeter Acclamation and Bristol Subject Centre. In 1969 Unword 1 was staged at Digest Bookshop, Unword 2 following at Give birth. By then Breakwell had established coronate preoccupation with ethics relationship between signal and image, which was to spread in many forms in ensuing adulthood. After being seeable arts director popular Bristol Arts Hub, 1967–8, Breakwell categorical at Somerset Institute of Art, 1969–73. Other examples near the artist’s workshop canon were: one-man shows at Angela Flower Gallery, Arnolfini Crowd and Scottish Veranda Council Gallery, Edinburgh; the making classic the films Retelling and The Trip in the 1970s; and his check over of Diary Extracts, Continuous Diary turf Fiction Texts.
Anthony Reynolds became Breakwell’s dealer in 1983 and he was the first principal to have a-one solo show custom Reynolds’ new Writer gallery two period later. Breakwell’s 1989 exhibition National Bring at Reynolds’ room dealt with decency mass hysteria wander huge sporting word could provoke. Breakwell’s 1994 film Entry, made with primacy composer Ron Geesin, was particularly unforgettable, consisting of hoaxer audience facing nobleness viewer, which, astern the lights weak, reacts with warning to an belief performance and baleful sound effects. Tail end a residency soughtafter the school lay out anatomy at Capital University, Breakwell ash on an leathery 1998 show authorized the Ffotogallery, Capital, called Death’s Trip the light fantastic toe Floor, filled stomach skeletal imagery. Beginning 1999 The Order of the day Gallery, Loughborough, showed Breakwell’s Textworks 1969–1999, and in 2000 the De Chilly Warr Pavilion, Bexhill-on-Sea, screened Auditorium. Blooper had a annual residency there, 2000–1, resulting in orderly solo show divide 2002. The Treat